In their work as spies, Malcolm and Suzanne often make quick changes to their appearance to suit a new role. I’m used to writing such scenes for them. I’m less used to thinking about it in terms of myself. Until yesterday. It was the opening night of the Merola Opera Program’s wonderful production of Britten’s The Rape of Lucretia. After spending the afternoon stuffing inserts into programs, I had a quick dinner with Mélanie and a couple of colleagues and then hurried back to the theatre to meet one of Mel’s wonderful babysitters. While quickly going over details with the babysitter, I pulled a hair of feels from the toy bag and exchanged them for the flats I was wearing, took off the cardigan I’d been wearing all day over my black cocktail dress, unwound the long linen scarf I had wrapped around my neck and thew it over my shoulders as a shawl.

It was only when I was hurrying  up the street to a pre-performance reception (combing my hair as I walked)  that I realized I had just made the sort of quick change Suzanne often makes (such as in Imperial Scandal when she transforms herself into a shopgirl to go into Le Paon d’Or). It was also just the sort of scene I might put in a book to dramatize a working mom balancing her multiple roles.

As  a multi-tasker, I’ve always been grateful for multi-tasking clothes. As a working mom, I’m more grateful for them than ever. Day-into-evening dresses (nothing like black to stand up to the dust of a theatre and the smears left by toddler hands), earrings one can sleep in, sweaters that can be easily stowed in a diaper bag, a bag that works as purse, diaper bag, and computer bag, scarves that double as shawls, a light weight trenchcoat the works over everything. I have a pair of black satin heels that basically live in the car or the toy bag.

Do clothes help you balance different parts of your life? Which pieces are particularly good multitaskers?  Writers, do you think about clothes to define different roles your characters play?

 

 

 

 

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